“TDC” (“The Delightful Companion”) develops its work inside of a triangle whose vertexes could be free improvisation, idiomatic improvisation and/or contemporary music. Even, this territory is not enough to explain its music.

“The Delightful Pocket Companion” was a collection of several airs belonged to different styles published during the Eighteenth Century. As the musicians from those times, faced to a deep changeable context, where there are a lot of aesthetics perspectives in constant change. That is TDC.

And without avoiding a direct “struggle” with didactics and audience participation.